As a location sound mixer, I plan and organize all the necessary work steps for the entire sound recording during production.
In consultation with the director, camera departement and production team, I select the appropriate tools and working methods so that the subsequent post-production has the best conditions for the perfect sound.

Equipment Location Sound
• Sound Devices 833 / MixPre 10Tii
• Wireless: Wisycom MCR54 - 4 channels / MCR42 - 2 Channels
• Microphones: various Sennheiser, Schoeps, dpa
• wireless camera link with sennheiser EW300
• Timecode: 3 x Tentacle syncE
• Sennheiser wireless for Director/ Producer
• small soundcart

When editing dialog, basically the original sound is split into dialog and ambience. I make sure that the dialog recorded on set becomes transparent, matches the visual storyline and fits perfectly into the production.For the sound design, I have access to my own extensive archive, large commercial audio archives and numerous instruments.

Sound studio equipped with
• 5.1 surround monitoring with PSI Audio
• Nuendo13
• Spectralayers Pro11
• RX11 advanced
• Auto-Align Post 2
• various VST3 PlugIns
• AVID MC Control
• good italian Espresso

For voice-over recordings I have a separate room with daylight and a broad choice of "industry standard" microphones according the usecase.

Equipment:
• U87, MKH 50, MKH 8060
• DPA4060, DPA6060
• ADR Recordings vith Nuendo ADR Assistant
• Separate Voice Booth
• Video preview screen

 The perfect mix for discerning bands. Either with my own professional infrastructure (upto 200 pax) or at festivals and clubs.

Live sound equipment
• Allen & Heath GLD 80, AR24/16, AR 8/4
• RCF TT22A, SUB8003
• db technologies dvx12m
• Shure SM58, SM57, SM81, beta52, Sennheiser e604, e906, MD421