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Wisycom MCR54 - 4 way receiver

7.1.2023

New in my audio bag is the MCR54 from Wisycom. A 4 way receiver with full diversity for each channel. The receiver saves me an antenna splitter and allows for a compact and lightweight bag. I use the 4 digital outputs and so I still have 6 free preamps on my 833 in addition to the 4 wireless channels. The audio quality is as expected top. The range is again improved compared to the predecessor (MCR42). My only criticism so far is the power consumption of nearly 3 watts and the resulting considerable heat that it generates and the necessity to locate all 4 wireless channels in the same 32MHz range.

Together with the receiver also the new pocket transmitter MTP60 from Wisycom arrived. Finally ! Really a big step forward to the predecessors. The new highlights are:
- All parameters remotely controllable via Bluetooth, with the Wisycom App (Android + iOS)
- local recording on MicroSD with timecode synchronization
- tuning range 470MHz - 1075MHz
- Narrowband / Wideband switchable

Despite the great joy about this great product also here 2 points of criticism. First, the part is quite heavy (but thus also makes a solid impression) and secondly, you can not get the micro SD card out or in the slot without tools - really unnecessarily complicated.

SORRY Filmshooting

30.1.2023

After an ice-cold week of shooting, most of the short film is in the can. As boom operator I took care of the good set sound together with Nicolas Brunner as sound engineer.
Many thanks to the whole team for the good atmosphere and the smooth workflow on the film set.

Two films with my participation

Dec 2022

The following two films with my participation are currently open to the public:

MAD HEIDI:Worldwide in theatres and as stream on https://madheidi.com/

SAITENSTICH: As stream on SRF PLAY .

Sorry

9.12.2022

In January I will be the boom operato on the short film shoot "Sorry" by Christian Wehrlin.
I'm looking forward !

Der Spatz im Kamin

August 2022

We are halfway through the 35 days of shooting and I am still delighted to be part of this "somewhat different" film and to be able to work with Balthasar Jucker as the sound mixer.

Filmshooting : Die Nachbarn von oben

April 2022

Such a great crew and a fantastic cast around Sabine Boss for her most recent feature film shot in the studio in Samstagern.

Mad Heidi Filmset

October 2021

A whole 22 days of shooting are already done and there is still a whole week to go. An instructive and very exciting time for me as boom operator on set with production sound mixer Nicolas Brunner.

Report on SRF: Link

MAD HEIDI

11.9.2021

One week to go till the shooting of the first swissplotation film starts

For all of you who want to invest in this  :this way !

Check out the Teaser.

MAD HEIDI Swissploitation Teaser from Decoy Films on Vimeo.

HALUNKE - Seaside Festival (3.9.2021)
For me, personally this was the first time working on a big P.A. since 18 months. It did so good.

Saitenstich - filmshooting  2020


Despite the restrictive measures due to the Corona pandemic, the filming for "Saitenstich" could take place.
The historic short film is directed by Raphaela Wagner and shootings take place in Heiden , in Toggenburg and the grand finale is an outdoor shooting in the historic old town of St. Gallen.
One week on the film set - I am very happy to be part of it, even if it will be exhausting for me as I am a one-man sound department.
Many thanks to Elda Guidinetti of Ventura Film for the production and every one else for helping to make this possible !

Photos by Tobias Sutter

Wisycom Wireless Kit 30.4.2020

The new main reciever in my bag is the MCR42 of Wisycom - The high-end of the wireless systems ! Versatile because of its wide-band tuner from 470 MHz up to 700 MHz. Transmitters with analog limiters  and top noch preamps.

Reciever: MCR42S

Transmitter 1: MTP40S

Transmitter 2:MTP41S

https://wisycom.com/

Corona-Lockdown - 11.4.2020

The Corona lockdown is hitting me hard. Many cancelled concerts, events and recording days.
In this situation where there are practically no paid jobs left, I use my infrastructure, my know-how and my time to help some no-budged projects with audio postproduction. This in turn gives me the opportunity to optimize my surround 5.1 setup and workflow with the recently bought Euphonix controller.

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